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HOUSE INDUSTRIES & HASAMI
HASAMI x SHUNTARO TAKEUCHI
HASAMI x KUTANI CHOEMON - RELAX FueFuki
BARBAR
SOBACHOCO ENCYCLOPEDIA
IROHA
TATARA
HANDKERCHIEF HAGIRE
TAKAKUMENTORI
MT. FUJI
KOMANEKO
RURIYU
HAKUJI SHAKUGAKE
BONSAI-BACHI POTS
ENGIMONO CHARMS
AIKOMA
YUNAGASHI
KANEKO KISERU
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YUMMY IN MY TUMMY
BARBAR×BORIS TELLEGEN BLUE & WHITE
SHIRAFU
HAKUJI SHAKUGAKE KUROGOSU NAGASHI
TERRA
MAGONIA
CHOJUGIGA
FLOATING GARDEN
MANDALA
EDEN
BON FLOWER
TRACE
MONOHARA
KURAWANKA COLLECTION
SEIJI COLLECTION
THE PLACE
HASAMI CERAMIC FLOWER POT
Item
* This item is an abolished turn.
Our original home fragrance oil is made from the natural oils of Oita’s hinoki cypress tree forests. Cypress has long been used in the temples, shrines, and theaters of Japan and has been deeply associated with nobility since ancient times. Let its natural scent soothe you.
Price | ¥ 2,500 |
---|---|
Size | φ4.4×H11cm / 100ml |
Material | Anhydrous ethanol and essential oils (cypress wood and other hardwoods) |
Maker | Hisatsune Forest |
Area | Oita |
Additional Information
– Keep away from fire.
– Non-edible. If accidentally ingested, consult a physician immediately, and bring the essential oil with you.
– If exposed to the eye, flush with plenty of water and consult a physician immediately if irritation remains.
– If skin is exposed, wash with soap.
– Discoloration and alteration may occur if oil comes into contact with clothing, furniture, or resin. Please clean immediately.
– This product is not a cosmetic, medicinal, or pharmaceutical product.
The Seiji Collection gets its name from the Seiji era, a period between 1630-1650 when the Hasami region of Nagasaki produced most of Japan’s celadon seiji porcelain, to meet the demands of the wealthy samurai class. Intricately fashioned with both hand-carved and hand-painted seals, the pieces were treasured among feudal lords, government officials, and Buddhist priests, employed in tea ceremony and cherished for their ornamental value. This collection harkens back to that golden age of celadon with a porcelain lineup reminiscent of Seiji-era tearoom decor. A colored enamel surface is given to each piece using an overglaze technique in homage to the hues of the early Edo-period Mitsunomata porcelain that can be found in the ceramic trash pits of Hasami’s chambered climbing kilns. The ceramic strata that surround the kilns are what local ceramic artists call monohara. Gypsum facades peel away to reveal smooth, pewter surfaces, making every item in the Seiji Collection feel like an ancient archaeological find.