HASAMI
SEASON 01
SEASON 02
SEASON 03
SEASON 04
SEASON 05
HOUSE INDUSTRIES & HASAMI
HASAMI x SHUNTARO TAKEUCHI
HASAMI x KUTANI CHOEMON - RELAX FueFuki
BARBAR
SOBACHOCO ENCYCLOPEDIA
IROHA
TATARA
HANDKERCHIEF HAGIRE
TAKAKUMENTORI
MT. FUJI
KOMANEKO
RURIYU
HAKUJI SHAKUGAKE
BONSAI-BACHI POTS
ENGIMONO CHARMS
AIKOMA
YUNAGASHI
KANEKO KISERU
NAGASAKI MINGEI CRAFTS
IRO-E
SABI TOGUSA
YUMMY IN MY TUMMY
BARBAR×BORIS TELLEGEN BLUE & WHITE
SHIRAFU
HAKUJI SHAKUGAKE KUROGOSU NAGASHI
TERRA
MAGONIA
CHOJUGIGA
FLOATING GARDEN
MANDALA
EDEN
BON FLOWER
TRACE
MONOHARA
KURAWANKA COLLECTION
SEIJI COLLECTION
THE PLACE
HASAMI CERAMIC FLOWER POT
Item
* This item is an abolished turn.
These wall vases are numbers 0 through 9, made in collaboration with House Industries using their original font. Put them on the wall or stand them up on their own. The diffuser is ready to use as is, but its plaster surface can easily be peeled off by soaking it in hot water (45°C / 113°F) for 5 minutes. The inside is finished with a dull iron luster that turns gold when scrubbed with a brass brush.
Color | 0 1 2 3 4 5 6 7 8 9 |
---|---|
Price | ¥ 5,000 |
Size | H12×D4.2cm |
Material | Porcelain and Gypsum |
Maker | Aizengama |
Area | Hasami |
Additional Information
Please note that the diffuser’s plaster surface was specifically designed to peel away. Please remove any excess plaster if the base feels unstable.
The Seiji Collection gets its name from the Seiji era, a period between 1630-1650 when the Hasami region of Nagasaki produced most of Japan’s celadon seiji porcelain, to meet the demands of the wealthy samurai class. Intricately fashioned with both hand-carved and hand-painted seals, the pieces were treasured among feudal lords, government officials, and Buddhist priests, employed in tea ceremony and cherished for their ornamental value. This collection harkens back to that golden age of celadon with a porcelain lineup reminiscent of Seiji-era tearoom decor. A colored enamel surface is given to each piece using an overglaze technique in homage to the hues of the early Edo-period Mitsunomata porcelain that can be found in the ceramic trash pits of Hasami’s chambered climbing kilns. The ceramic strata that surround the kilns are what local ceramic artists call monohara. Gypsum facades peel away to reveal smooth, pewter surfaces, making every item in the Seiji Collection feel like an ancient archaeological find.